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Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. It presents a theoretical model for the organization of time in this repertory, elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. Written in a clear and intelligible style, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time. The book includes a free CD of authentic recorded performances closely referred to in the text.
Note: The Kindle edition of this book does not include any CDs or DVDs.
- Sales Rank: #767376 in eBooks
- Published on: 2001-03-29
- Released on: 2001-02-28
- Format: Kindle eBook
Review
"This remarkable book delves deeply, systematically, and with extraordinary clarity into temporal theory and practice in North Indian classical music ... The writing in this book is refined, distilled, and extremely clear ... Time in Indian Music is destined to be a classic in ethnomusicology, Indian studies, and music theory."--Asian Music
"Refreshingly lucid, and deftly and richly illustrated ... a book that should be of signal importance not only to ethnomusicologists and South Asia specialists but also to all scholars interested in the metaphysical meanings of time in both Asia and the West ... there is never a point in the book in which [Clayton's] discussions are not inviting and engaging. Accordingly, he enhances the value of the book for students and scholars, specialists and nonspecialists alike. Martin Clayton wants to understand musical time and demystify Indian music, and he succeeds impressively, thereby winning what should become a critical role for this book in Asian studies today."--The Journal of Asian Studies
"Time in Indian Music encompasses two very ambitious undertakings--a cross-genre analysis of rhythmic organization in Hindustani music, and the framing of a universal comparative music theory. In approaching Hindustani music, Clayton devises a model that makes it possible to sort through many of the influences that have shaped contemporary performance, and to better understand the processes that support the preservation of core elements in a performance tradition, even as new ideas are being introduced and integrated. He clearly has a depth of experience with Hindustani music. His work is remarkable for its scope and detail, and represents an important contribution to contemporary Indian musicology. A thoughtful and coherent presentation of rhythmic organization in contemporary Hindustani music ... well formulated and reasonably accessible for readers with limited experience of Indian music."--The World of Music
"In general this is a meticulous, perceptive and thought-provoking monograph, contributing to our understanding not only of Hindustani music but of rhythm and metre in general and providing a model that could inspire future studies on rhythmic systems of other musical traditions. A remarkably insightful, original and rigorous exploration of matters relating to rhythm and metre in North Indian music ... a fresh and stimulating contribution to Indian musicology."--British Journal of Ethnomusicology
"A stimulating account that should have broad appeal."--Times Literary Supplement
About the Author
Martin Clayton is curator of the print room at Windsor Castle.
Most helpful customer reviews
7 of 7 people found the following review helpful.
this book is not really about Indian music....
By Bigfrog
This book sucks on so many levels but mainly because at its heart it's not truly about Indian music. The author makes observations about the music as an outsider which incidentally he probably could have made about 80s hair metal. I bought this book to supplement my knowledge of Hindusthasni music as a sitarist for almost 20 years. Rhythm has always been my weakness and I'm always looking for different ways of wrapping my head around it and also for new patterns to practice. I read half of this book before giving up and not once was there any discussion about any of the rhythmic patterns used in Indian music by the tabla player or instrumentalist. All discussion remains at the surface level of the music couched in academic double-speak. This is quite literally the first book I have purchased in ages where I want my money back.
7 of 7 people found the following review helpful.
Illuminating
By Amazon Customer
This book is an in-depth academic analysis of meter in North Indian music. Based on the author's doctoral research, the book includes theoretical perspectives, types and uses of tal, rhythm and meter in performance, and cross-culture perspectives. Clayton crafts his descriptions of meter and rhythm carefully so that they are general enough to cover all genres of North Indian music. As a result of this generality, much of the analysis can be applied to South Indian music as well. He points out that meter in North Indian music is hard to reconcile with "universal metrical" theory, such as that proposed by Lerdahl and Jackendoff, and he argues that any universal theory of meter must take into account North Indian music. Much of the book is highly technical and may only be accessible to specialists in music theory. Nevertheless, novices who are interested in Indian music will still find much of interest, as Clayton explains such topics as the sequence of events in an Indian classical concert, and the cyclic nature of Indian rhythms quite clearly. The accompanying CD contains clips that demonstrate many of the rhythms and meters discussed in the text.
1 of 1 people found the following review helpful.
Comparing Iranian Rhythm and Indian Rhythm
By Iranian Musician 01
It was 2002 that I first read the Clayton's book on Indian Rhythm. It was fascinating but I could not closely touch the rhythmic arrangements in that part of the world. Once I was introduced to a book by an Iranian scholar called Mohammad R Azadehfar on Persian rhythm entitled Rhythmic Structure in Iranian Music. The book accompanied by more than 100 audio tracks of Iranian music analyzed in the book. I had a chance of putting both books side by side and understood both books better. I recommend readers to take a comparative study on the concept of rhythm in Iran and India in order to get a full picture of musical structure in that part of the world.Rhythmic structure in Iranian music (2nd Edition)
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